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An American in Paris
CRITICS OF "An American in Paris"
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Kate Muir
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February 22, 2015

One of the great MGM musicals.
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Tony Sloman
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February 03, 2014

It still looks pretty good today, with marvellous Technicolored design, athletic dancing from Kelly and a superb Gershwin score, but some sequences have dated.
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James Berardinelli
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January 25, 2011

Gene Kelly remains one of the best and brightest of the Golden Era musical stars and An American in Paris shows him in fine form.
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Philip French
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October 30, 2011

The Gershwin songs are magnificent, and the climactic ballet a tour de force that won the great Hungarian-born cameraman John Alton an Oscar.
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Don Druker
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December 12, 2006

While not nearly the musical it's cracked up to be, this 1951 film is absolutely required viewing for anyone who wants to see the studio system (MGM style) at its gaudiest, most Byzantine height.
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Tom Huddleston
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February 22, 2015

Imperfect, then, but intermittently awe-inspiring.
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Tim Brayton
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December 06, 2016

The first three-quarters might be at best B-tier Freed Unit filmmaking, but those last 18 minutes are as precious as anything produced by studio-era Hollywood.
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Variety Staff
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February 19, 2008

One of the most imaginative musical confections turned out by Hollywood in years.
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Witney Seibold
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February 22, 2015

It's hard not to be charmed by Gene Kelly's featherweight smiles and amazing dancing. But the film as a whole is -- and let no one contradict me on this -- a complete trifle.
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Kate Cameron
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February 22, 2015

Inspired by the late George Gershwin's impressionistic musical suite of the same name, the picture is one of the finest musicals Hollywood has ever produced.
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Josh Larsen
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June 04, 2013

...its defining trait is insistence.
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