Capitalism: A Love Story
Filmmaker Michael Moore explores corporate greed, the global economic meltdown, and their disastrous effect on American lives. Capitalism: A Love Story is an examination of the social costs of corporate interests pursuing profits at the expense of the public good.
23 April 1954, Flint, Michigan, USA
29 January 1970, Janesville, Wisconsin, USA
6 February 1911, Tampico, Illinois, USA
26 March 1940, Baltimore, Maryland, USA
21 November 1944, East St. Louis, Illinois, USA
6 February 1940, Webster, South Dakota, USA
3 April 1930, Ludwigshafen am Rhein, Germany
5 May 1959, Ridgewood, New Jersey, USA
18 January 1951, Baltimore, Maryland, USA
August 11, 1933 in Lynchburg, Virginia, USA
June 23, 1948 in Pin Point, Georgia, USA
March 05, 2014
Moore evokes Pope Benedict XVI "Caritas in Veritate" and stresses the need that Judeo-Christian ethics, upon which his country was founded, must play a part in the recovery and stability of the financial sector.
December 18, 2010
Docu on corporate misdeeds names names, makes mistakes.
October 02, 2009
Smart-alecky and simplistic? Yeah. And primo Moore.
July 03, 2010
This isn't just about pointing fingers at those who have gotten us into this mess, but about mobilizing working people to stop waiting for someone else to fix it, to stop sitting idly by while their wages, pensions, health care, and homes are stolen.
October 02, 2009
Michael Moore is up to his old tricks in Capitalism: A Love Story, and that's sure to both infuriate, and entertain and inform, depending which side of the Michael Moore fence you stand on.
November 05, 2009
Moore is always visually playful and subversive, and even when dealing with such serious and depressing topics entertaining; but he's also game enough to examine America's mythology of prosperity.
October 02, 2009
While it's amusing to watch Moore on camera plaster the entrance to the New York Stock Exchange with crime-scene tape, when Moore goes through his customary security-guard harassment in another segment, it's hard not to think: Here we go again.
October 02, 2009
As a filmmaker creating a product for a marketplace, supported by profit-seeking investors, he obviously has some comfort level with capitalism in the sense of doing business.
March 10, 2011
A lot of the old Moore is still obvious in Capitalism, his genuine belief in everyone pulling together his feel for a good public stunt but he's lost a little something. The social zeal of his best work has been replaced with a hint of fanaticism.
February 26, 2010
The thesis that rapacious capitalism has horrific social consequences is credible and well illustrated, if hardly eye-opening to European viewers.
October 27, 2010
As with all of Moore's films, this is really about the fall of The American Dream, with Moore acting as our tour guide into the rotten core of his beloved country. And once again, his heart is in the right place. If only he could keep his ego out of it.
