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Cirque du Freak: The Vampire's Assistant
Darren is an ambitious teenager and lives naturally like any other teenager. Darren may have strange circumstances during an early age of his life when he meets new friends. After a while, a young Darren named Cirque Du Freak and a dangerous blood suitor named Larten Crespley, the two people who transform Darren's life forever. Darren decided to leave his normal life and become a vampire next to his vampire friends.
27 October 1982, Salt Lake City, Utah, USA
24 January 1978, Longmont, Colorado, USA
8 November 1959, San Diego, California, USA
29 March 1992, Minneapolis, Minnesota, USA
21 October 1959, Uonuma, Japan
6 November 1960, Bethesda, Maryland, USA
26 October 1960, Brooklyn, New York, USA
April 30, 2017
Just another dumb vampire flick.
August 09, 2010
The film was based on a series of twelve books (that) must've screamed "franchise pay cheques!" to actors like Dafoe, Hayek and Reilly, who would usually have known better.
October 23, 2009
A vampire movie in sore need of a transfusion.
March 06, 2010
Promises more depth and substance than it delivers, leaving all the fireworks of the visuals to drive the film's appeal
October 23, 2009
Harry Potter needn't call time out on his Quidditch game, and Edward Cullen can stick to his beauty rest.
October 23, 2009
Unfortunately Weitz can't quite get a handle on what the film should be, despite teaming up with the talented Brian Helgeland on the script.
October 23, 2009
Mixing horror and comedy while minimizing the gore, writer-director Paul Weitz serves up a witty adventure fantasy with a tasty dollop of schadenfreude.
October 23, 2009
We never get under the skin of anyone here. Freaks never become characters. They're objects of derision.
February 15, 2012
teenybopper fiction brought to life on the big screen, realized as the first installment in a potential franchise that fails to offer reasons why mainstream audiences will want to follow it any further.
October 26, 2009
This is one of the worst films of the year.
July 04, 2010
Weitz's screenplay (with Brian Helgeland) contains liberal splashes of humour, but in the end the film lacks an emotional hook, perhaps thanks to the lacklustre performances of the young leads.
