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Cut Snake
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Cut Snake

Description
This movies center on an ex-convict who is trying to make a new life for himself in a new city. James and Merv are a pair of ex-cons who both hatch a scheme to burn down a nightclub in Brisbane.
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CREATORS OF "Cut Snake"
Cut Snake
CRITICS OF "Cut Snake"
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Sydney Morning Herald
Resource

September 23, 2015

It's a big movie, despite its small circle of characters, and rewarding for adventurous viewers.
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Rip It Up

September 23, 2015

Perhaps the low-ish budget shows here and there, but Ayres' filming of Blake Ayshford's script has a fittingly lived-in '70s look, a cool soundtrack, strong work from the leads (and the supporting cast) and, at times, a sense of real foreboding.
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The Film Stage
Resource

March 12, 2016

It's a minor story with minor ambitions, yet it manages to deliver a fully satisfying and moving experience.
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Urban Cinefile
Resource

September 22, 2015

A young crim out of jail, trying to go straight... hardly an original concept, but Blake Ayshford's screenplay gives it a novel twist and extra layers, while director Tony Ayres pushes for an edgy delivery
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3AW
Resource

September 25, 2015

A tough little crime drama full of muted anger, growled dialogue and whispered threats...Much as we applaud the achievements of filmmakers working on small budgets, you can't hand out free passes when those limitations hobble the flow and feel of a film.
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Arizona Republic
Resource

October 29, 2015

Performances keep the tension building toward an incendiary climax.
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Herald Sun (Australia)
Resource

September 24, 2015

An inconsistent film covering too much familiar ground, Cut Snake often gets distracted by the need to service an admittedly striking (though largely pointless) 1970s production design.
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Glenn Dunks
Resource

September 29, 2015

In Tony Ayres' Cut Snake, the true blue Aussie crime flick gets a queer coat of paint. It masks itself as a standard crime flick, but subverts what we have come to expect from these films...
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FILMINK (Australia)

September 23, 2015

Artfully shot by Simon Ford, with fine period detail from production designer, Josephine Ford, Cut Snake is technically top-notch, and emotionally uncompromising, as Ayres again strides into largely virgin territory for Australian cinema.
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We Got This Covered
Resource

September 06, 2014

Is wasting a great idea better than having none at all? It's up for debate in Cut Snake, where one smart spin on crime caper conventions just isn't enough.
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Los Angeles Times
Resource

November 12, 2015

In terms of plot and motivation ... an illogical mess that no amount of carefully moody cinematography can save.
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Guardian
Resource

September 23, 2015

Performances are uniformly impressive, with Stapleton guaranteed a place in the pantheon of creepily charismatic Australian screen criminals.
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