Eat Local
In a quiet countryside farmhouse, Britain's vampires gather for their once-every-fifty-years meeting. Others will be joining them too; Sebastian Crockett, an unwitting Essex boy who thinks he's on a promise with sexy cougar Vanessa; and a detachment of Special Forces vampire killers who have bitten off more than they can chew. This is certainly going to be a night to remember... and for some of them it will be their last.
31 January 1966, Enfield, London, England, UK
1967, England, UK
23 December 1969, East End, London, England, UK
November 8, 1960 in Leeds, England, UK
16 May 1965
22 September 1966, Bridgend, Wales, UK
13 December 1969, Glasgow, Scotland, UK
15 December 1982, London, England, UK
August 29, 2017
combines the tropes of vampire films with the Little England satire of Royston Vasey to show the accidental centrality of small-town British parochialism to a global economic scene where religious and national interests are trumped by corporate ones
August 28, 2017
Neil Marshall's Dog Soldiers did much the same thing with far more wit, energy and innovation.
August 31, 2017
Nothing works in the directing debut of noted character actor Jason Flemyng.
August 31, 2017
A vampire film without any bite.
September 01, 2017
Be warned, the wittiest thing about this bite-sized-budget Brit horror is its misleading title.
August 31, 2017
The special and visual effects are too frequently deployed and also desperately unconvincing, and it's a shame the script isn't just a shade or two funnier.
August 31, 2017
An ambitious film that suffers from a visibly stretched budget, Eat Locals fails to live up to the promise of its wonderful title but does have some great moments.
August 28, 2017
Parallels with everything from Shaun of the Dead to What We Do In the Shadows go down a treat. There's even a nice little bit of social class dialogue bubbling under the surface that results in a final and very wry political money shot.
August 31, 2017
A low-budget British vampire comedy with more bark than bite, Eat Locals feels like a school reunion project for survivors of Guy Ritchie's early gangster films.
