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Felicite

Description
Felice makes his live singing in a bar in the capital of the Democratic Republic of the Congo (DRC). She is a brave, tough woman, who is trying hard not to explain anything to anyone.
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DIRECTORS OF "Felicite"
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CREATORS OF "Felicite"
Felicite
CRITICS OF "Felicite"
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SF Weekly
Resource

January 18, 2018

Gomis approaches her performances with a gritty, gorgeous series of impressions.
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MUBI
Resource

January 09, 2018

...the film doesn't wallow in her dire circumstances and instead celebrates the agency and beauty that exists all around her.
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RogerEbert.com
Resource

October 27, 2017

Félicité has a lyrical spirit that worms its way to the surface even at its most directionless.
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Another Gaze
Resource

December 29, 2017

The result is a musical and visual feast that is not world-denying, but rather world-affirming in its careful exposition of the quiet pleasures of day-to-day life, and the godly beauty to be found in the resolve of everyday people and relationships.
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Village Voice
Resource

October 24, 2017

Gomis's handheld cameras work to keep up with the actors, who seem to move with rare freedom, but he also stages some exquisite and complex flourishes ...
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Los Angeles Times
Resource

November 09, 2017

Beya ... arrives fully formed here as a figure of enormous dignity and warmth, a pillar of resilience who is nonetheless all-too-humanly susceptible to exhaustion, grief and despair.
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AV Club
Resource

October 24, 2017

The film's tonal range is formidable enough to suggest that this director may be a major talent who's now emerging from relative obscurity.
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New York Times
Resource

October 26, 2017

Mr. Gomis's cinematic style is spectacularly multifaceted. The camerawork and cutting often have the fleetness of a documentary, but there's nothing sloppy about them.
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Counterpunch.org
Resource

January 16, 2018

A neo-realist tale with a soupcon of magical realism that is totally irresistible.
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Denerstein Unleashed
Resource

December 08, 2017

In all, Felicite strikes a powerful chord, taking us into a society in which every reward feels hard won.
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San Diego Reader
Resource

January 18, 2018

Think High Noon set in Kinshasa and backed by a Congolese beat.
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The Stranger (Seattle, WA)
Resource

January 08, 2018

[Véro Tshanda] Beya is an unvarnished talent, but she holds the scenario together through the sheer force of her presence
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