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Fireworks
Description
Nishi was faced with some challenges in his family which caused him to quit his police job. He must do what is right for his family so he made some important but wrong decisions.
Nishi was faced with some challenges in his family which caused him to quit his police job. He must do what is right for his family so he made some important but wrong decisions.
Actors:
Ritsuyo Ono,
Ayu Nakagawa,
Yasuei Yakushiji,
Motoharu Tamura,
Sumiko Takai,
Kenichi Yajima,
Mitsuyo Ishigaki,
Muhômatsu,
Ryôta Koyama,
Takayuki Konishi,
Yoshiyuki Morishita,
...»
Ritsuyo Ono
Ayu Nakagawa
Yasuei Yakushiji
Motoharu Tamura
Sumiko Takai
Kenichi Yajima
Mitsuyo Ishigaki
Muhômatsu
Ryôta Koyama
Takayuki Konishi
Yoshiyuki Morishita
4 December 1962, Tokyo, Japan
Country:
United States
Keywords:
#Bandai Visual Company #Fireworks #Kayoko Kishimoto #Office Kitano #Ren Ohsugi #TV Tokyo #Takeshi Kitano
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September 07, 2001
Moody drama from Takeshi Kitano.
January 01, 2000
A fascinating film.
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Compared to [Takeshi] Kitano, Bruce Willis is a wimp, Harrison Ford is a creep, and Mel Gibson is a joke.
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Simultaneously coolly stylized and surprisingly emotionally persuasive.
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Kitano makes static, understated movies about existences wasted, and rediscovering the joy of being, for a brief time, alive.... Violence comes in sudden bursts, as a shocking interruption.
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Hana-Bi is a rare and unique portrayal of violence, futile anger and defiance.
February 28, 2002
A really good example of character development by actions, without the benefit of dialog or mannerisms.
July 07, 2004
Kitano uses his own face as a blank slate with which to sketch a complicated human being.
January 01, 2000
This highly original film is at times a masterpiece and at other times it seems like a grade B-movie.
January 01, 2000
Richly satisfying to the emotions and the senses.
January 01, 2000
Takeshi Kitano, who made it, must be very serene or very angry; only extreme states allow such a narrow focus.
January 01, 2000
An exceptional piece of filmmaking, a drama that blurs the line between the ultra-violent cop movie genre and weepy but moving melodrama, and does it very convincingly.
