Hannibal
It is the sequel to the 1991 Academy Award–winning film and Dr. Hannibal Lecter has been exiled for close to a decade and now tries to reconnect with with Clarice.
July 21, 1960 in Naples, Campania, Italy
10 February 1964, Trento, Trentino-Alto Adige, Italy
24 April 1961, Jersey City, New Jersey, USA
16 February 1959, Trinidad and Tobago
12 December 1976, Passaic, New Jersey, USA
7 June 1964, Los Angeles, California, USA
23 November 1964, Virginia, USA
21 March 1958, New Cross, London, England, UK
December 15, 2010
Thoroughly distasteful. Not for kids.
September 17, 2007
A dark and complexly entertaining ride, highly generous to multiple viewings.
March 19, 2002
Hannibal definitely grabs at the emotions, but not the one it's after. You come in hoping to have the wits scared out of you and leave with your temper barely in check.
May 26, 2006
Scott's elegant, shadowy atmosphere and deliberate pacing make the film a delightfully spooky experience.
February 09, 2001
Hopkins, who is electrifying in almost anything he does, reprises the mastery he brought to Silence of the Lambs. Even in a movie as patchworky as this, he's always compelling.
September 26, 2002
Hannibal Lecter is the ostensible cannibal of this franchise, but the real cannibals are his creators. I wouldn't be surprised if the next time, they have him endorsing his favorite Chianti.
February 09, 2001
It is not bad on its own terms, and it is certainly engrossing, but it comes nowhere near the power and sordid glory of the original.
February 12, 2001
Simply a fat slab of sadism.
February 11, 2009
Doesn't work as its own individual, self-contained cinematic entity.
September 30, 2005
There are moments of a good movie buried amongst this over the top thriller. But these moments are all too rare.
February 09, 2006
The weight-watchers script sensibly dispenses with several characters to serve a brew that's enjoyably spicy but low on substance.
October 10, 2006
The near-impossible taks and insurmountable problems have been handled by Scott in a proficient if unexciting way. Aware that he can't possibly meet viewers' expectations, Scott has made a different film, more florid, baroque, and tongue-in-cheek.
