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Legend of Zorro
After fighting to help California become the 31st state of the Union, Zorro promises his wife Elena that he will give up his secret identity and live a normal life as Alejandro de la Vega. But a threat to California's pending statehood causes them to take action.
10 December 1958, Matamoros, Tamaulipas, Mexico
7 September 1954, Cedar Rapids, Iowa, USA
17 September 1941, Sidcup, Kent, England, UK
28 June 1993, São Paulo, SP, Brazil
6 April 1940, Mexico City, Distrito Federal, Mexico
18 November 1961, New York City, New York, USA
19 July 1970, Guildford, Surrey, England, UK
September 01, 2009
Reasonably rousing, breezily hokey, and touchingly retrogradeApril 17, 2009
Catherine Zeta Jones' eminent allure and Antonio Banderas' leading man charm are reduced to mere furnishings for an ostensibly child-friendly adventure movie filled with tedious stunt sequences, endless sword fights and too many brutal murders.October 28, 2005
The Legend of Zorro spirals into a convoluted series of incidents, bordering on the impenetrable until they're finally revealed as nonsensical.May 28, 2007
The ludicrous plot and special effects featuring cartoon physics means this zero is strictly for those under the age of eight or so.October 28, 2005
The CG-effects to replicate crowds and buildings, the fake scenery, the flimsy plot and the cheap dialogue all spell a budget-conscious production.October 31, 2005
In every imaginable way, this is a lesser film than the original.March 29, 2011
The Legend of Zorro is a campier sequel, occasionally given too much to childish antics. But once the story really kicks in, it transforms into a fine adventure film and a worthy addition to the Zorro film legacy.October 28, 2005
The passionless string of the hoariest clichés is burnished with the phony luster of an I Can't Believe It's Not Butter commercial, and its plot seems to have been amalgamated by a computer program.April 29, 2009
Just obvious pandering to a younger crowd...November 01, 2005
It's Zorro, the domesticated blade!July 10, 2007
excessively lengthy, swashbuckling-by-numbers exercise in tedium that fills the cinema with entirely the wrong kind of zs.