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O
CRITICS OF "O"
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Film4
Resource

July 06, 2008

The presence of old lags Martin Sheen and John Heard just beggars belief. What were they thinking?
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Film Journal International
Resource

March 01, 2007

Helmer Nelson has fashioned a clever premise, helped along by a smart ensemble that manages to highlight Shakespeare's work without parodying it--no small accomplishment.
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Time Out
Resource

January 26, 2006

Credit, none the less, to the film-makers' game, unpatronising approach, and to Phifer and Stiles as compelling innocents.
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EmanuelLevy.Com
Resource

September 17, 2006

Long on the Shelf, O is well directed and decently acted, but its narrative, while more or less faithful to Shakespeare, tried to do too much, pushing the characters and their emotions to unreasonable and unconvincing extremes.
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TIME Magazine
Resource

September 17, 2001

On your already groaning Shakespeare for Teens video shelf, stack this one above 10 Things I Hate About You ... and quite a bit below Romeo + Juliet.
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Variety

March 25, 2008

This transferral of the tragedy of the Moor to a contempo American high school is something that never should have gone further than a class assignment to see if it could be made to work.
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New York Magazine/Vulture

September 07, 2001

It's a doomy dirge of a movie, in which the protagonists, or at least the actors who play them, aren't equipped to handle their outsize passions.
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New York Observer
Resource

September 28, 2001

In the end, the Shakespearean ideas collapse on film because of the youthful callowness of the characters.
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Observer (UK)
Resource

March 25, 2008

It's highly enjoyable and well acted, with the Iago figure better motivated than in the original play, no single line of which has been retained except for the odd echo.
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Film Threat

January 09, 2006

Leave it to Hollywood to make a bold, challenging film for teens (and adults) only to let it collect dust on a shelf as proposed release dates were set, then scratched, many times over.
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Newsweek
Resource

March 31, 2008

This arty melodrama is not likely to make teenage America get down with Shakespeare.
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Empire Magazine
Resource

December 30, 2006

Hartnett never allows him to become a hissable villain, keeping Hugo shy of our sympathies, yet his every move is utterly believable.
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