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Psychopaths
Several psychopaths wreak havoc over the course of a violent night.
4 October 1971, Syracuse, New York, USA
23 March 1963, New York City, New York, USA
4 October 1984, New Orleans, Louisiana, USA
September 05, 2017
Director Mickey Keating should be applauded for trying an ambitious idea, but perhaps he should focus on one particular story and build his characters within that.
August 09, 2017
While Psychopaths misses the mark, it's an admirable effort that should be celebrated and welcomed in the horror community with open arms.
April 26, 2017
There's so little substance or originality to this lurid, abstract affair that it comes off as simply a faded grindhouse collage.
May 03, 2017
So, if you're looking for a fun, meaningless throwback thriller, definitely give PSYCHOPATHS a whirl. Otherwise, you might want to stay away entirely.
November 30, 2017
None more so than another standout performance from [Ashley] Bell as a Fifties-obsessed fractured mind, who flips from nightclub chanteuse, to Donna Reed homemaker, to carving knife slasher in the blink of an eye.
November 30, 2017
Well-intentioned but tedious.
November 30, 2017
While the whole thing meanders with no destination, I'm going to hold my position in the middle because it looks fantastic.
April 26, 2017
Keating fails to effectively transmit his love of pushing the horror genre to new heights, with the result that we feel less gleefully complicit than merely voyeuristic.
August 29, 2017
as the Storyteller, no doubt correctly, wonders aloud whether some might find the violence too gratuitous and the story too ambiguous, others (myself included) will just relish getting lost in the mannerisms, the mood and the madness of it all.
May 02, 2017
One or two truly great moments are buried in a self-indulgent, plot-less mess.
December 01, 2017
Unless the ambition of Psychopaths is to motivate Michael Haneke to remake Funny Games for a second time, its efforts are gravely misplaced.
May 05, 2017
This assault on the senses drowns out any potential narrative through-line, trapping viewers like one of its victims: locked in a cramped box in a basement, far from help.
