Push
Two young Americans with special abilities must race to find a girl in Hong Kong before a shadowy government organization called Division does.
2 October 1986, Los Angeles, California, USA
30 September 1981, Beijing, China
13 June 1981, Boston, Massachusetts, USA
1922
21 June 1974, Bronx, New York City, New York, USA
24 April 1964, Cotonou, Benin
1960, Indonesia
August 14, 2010
jThe script has no deep meaning and the film does just what it was intended to do: take an audience on a fantastical journey with loads of action.April 15, 2010
Set and filmed on location in bustling Hong Kong, the tight urban street and winding alleyways suit the film perfectly, but this is not enough to save Push from the Oscar season garbage dump.February 06, 2009
Push has vibrant cinematography and decent acting, but I'm blasted if I know what it's about.September 11, 2009
Push is a chase film dolled up with supernatural powers and chintzy retro design motifs.February 06, 2009
A silly movie that is partially engrossing and plenty convoluted.February 06, 2009
Belle... is blank as a page, and the intended romantic chemistry between her and Evans is never in evidence.February 06, 2009
Evans and 10,000 BC's Belle shuffle through a turgid romantic subplot, and though the two characters are very, very pretty, they've got the chemical spark of a banana.February 06, 2009
There are many problems with Push, and most are the usual boring things: unnecessary plot loops; long, dumb musical interludes; a charmless script; and ostentatious action sequences in which the only person excited is the cameraman.June 02, 2010
Push is an empty calorie extravaganza and demands a crooked concentration it doesn't earn to sufficiently piece this mess together.September 11, 2009
McGuigan's saving grace is a willingness to slow down and savour his own images. At best, a moody inconsequence takes over and confusion feels like part of the plan.February 19, 2009
Silliness rules the day: plot holes abound and are plugged with techno-pounding action sequences and more nonsensical guff. As a TV pilot, this might have worked; as a film, it's loud, confusing and inane.September 16, 2009
Light fixtures are the true stars in "Push," constantly reflecting, twinkling and popping. Its best moments are when guns levitate and fire themselves. When you don't even need actors to hold pistols, it's the ultimate in autopilot filmmaking.