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State Property
Description
The plot of State Property shows a group known as ABM. They have clever strategies to brush off their competitors so they can get to handle the drug operating business. Pretty soon their power grows immensely in Philadelphia.
The plot of State Property shows a group known as ABM. They have clever strategies to brush off their competitors so they can get to handle the drug operating business. Pretty soon their power grows immensely in Philadelphia.
Actors:
Denyce Lawton,
Oschino,
Rell,
Dave Sierra,
Brother Newz,
Big Shon,
Jennifer Cordero,
Gee Roberson,
Stephen X Baker,
Lenny Santiago,
Memphis Bleek,
...»
Denyce Lawton
2 May 1978, Seoul, South Korea
Oschino
Rell
1976
Dave Sierra
Brother Newz
Big Shon
Jennifer Cordero
Gee Roberson
Stephen X Baker
Lenny Santiago
Memphis Bleek
23 June 1978, Brooklyn, New York, USA
Director:
Abdul Malik Abbott
Abdul Malik Abbott
Country:
United States
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January 25, 2002
... for all its social and political potential, State Property doesn't end up being very inspiring or insightful.
New York Times
January 19, 2002
Lacks the visual flair and bouncing bravado that characterizes better hip-hop clips and is content to recycle images and characters that were already tired 10 years ago.
March 19, 2002
A dull, simple-minded and stereotypical tale of drugs, death and mind-numbing indifference on the inner-city streets.
New York Post
January 21, 2002
Basically a static series of semi-improvised (and semi-coherent) raps between the stars.
New Times
March 07, 2002
No one involved, save Dash, shows the slightest aptitude for acting, and the script, credited to director Abdul Malik Abbott and Ernest 'Tron' Anderson, seems entirely improvised.
San Francisco Examiner
March 19, 2002
The acting is amateurish, the cinematography is atrocious, the direction is clumsy, the writing is insipid and the violence is at once luridly graphic and laughably unconvincing.
January 22, 2002
A shoddy male hip hop fantasy filled with guns, expensive cars, lots of naked women and Rocawear clothing.
Dallas Morning News
February 28, 2002
A film of empty, fetishistic violence in which murder is casual and fun.
