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The Misandrists
Description
The Misandrists begins with Volker, a young man with an injured leg, stumbling through the forest, pursued by the police and their tracking dogs. When he emerges from the woods, he sees two young women, Isolde and Hilde, frolicking in a field not far from a large old country house. When the beautiful young Isolde realizes that the handsome young man is in trouble with the law, she convinces Hilde to help her hide him in the basement of the house, which happens to be a school for wayward girls. Isolde forces Hilde to agree to keep the young man's presence in the basement hidden from the rest of the household, especially from Big Mother, who runs the school, which is composed of twelve other females: four teachers and eight young women rescued from the streets. It is a lesbian separatist stronghold. Isolde secretly nurses Volker back to health, but does not let him know that the school for girls is also a front for a quasi-terrorist organization called the FLA - the Female Liberation Army - that is willing to go to any lengths to challenge the patriarchy. Meanwhile, we are introduced to all the other girls and women of the house, discovering their backgrounds and their relationships with one another, their beliefs and womanifestos. Several of the members of this radical female tribe are harbouring secrets of their own, which are eventually revealed as the film moves towards its climax: the revelation of a new style of lesbian porn that is to be used as both propaganda tool and calling card for their new brand of female revolution. Blessed be the Goddess of all worlds that has not made me a man.
The Misandrists begins with Volker, a young man with an injured leg, stumbling through the forest, pursued by the police and their tracking dogs. When he emerges from the woods, he sees two young women, Isolde and Hilde, frolicking in a field not far from a large old country house. When the beautiful young Isolde realizes that the handsome young man is in trouble with the law, she convinces Hilde to help her hide him in the basement of the house, which happens to be a school for wayward girls. Isolde forces Hilde to agree to keep the young man's presence in the basement hidden from the rest of the household, especially from Big Mother, who runs the school, which is composed of twelve other females: four teachers and eight young women rescued from the streets. It is a lesbian separatist stronghold. Isolde secretly nurses Volker back to health, but does not let him know that the school for girls is also a front for a quasi-terrorist organization called the FLA - the Female Liberation Army - that is willing to go to any lengths to challenge the patriarchy. Meanwhile, we are introduced to all the other girls and women of the house, discovering their backgrounds and their relationships with one another, their beliefs and womanifestos. Several of the members of this radical female tribe are harbouring secrets of their own, which are eventually revealed as the film moves towards its climax: the revelation of a new style of lesbian porn that is to be used as both propaganda tool and calling card for their new brand of female revolution. Blessed be the Goddess of all worlds that has not made me a man.
Actors:
Victoire Laly,
Lina Bembe,
Kembra Pfahler,
Dominik Hermanns,
Grete Gehrke,
Viva Ruiz,
Kita Updike,
Caprice Crawford,
Olivia Kundisch,
JorgeTheObscene,
Susanne Sachße,
...»
Victoire Laly
Lina Bembe
Kembra Pfahler
Dominik Hermanns
Grete Gehrke
Viva Ruiz
Kita Updike
Caprice Crawford
2 June 1971, Kansas City, Missouri, USA
Olivia Kundisch
JorgeTheObscene
Susanne Sachße
Director:
Bruce La Bruce
Country:
Germany
Keywords:
#Bruce La Bruce #Caprice Crawford #Dominik Hermanns #Grete Gehrke #Kembra Pfahler #Kita Updike #Lina Bembe #Olivia Kundisch #Susanne Sachße #The Misandrists #The Misandrists (2017) #Til Schindler #Victoire Laly #Viva Ruiz
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June 15, 2018
...featuring intentionally cardboard characterizations and wooden acting along side highly charged sexual images, the script is replete with references to political theory that move so quickly from the lips of the actors that I couldn't keep up.
June 05, 2018
As I've argued elsewhere recently, the film landscape feels very polite right now and maybe a blast of straight-no-chaser LaBruce is the antidote we need.
May 24, 2018
Mr. LaBruce utilizes camp, that unifying language of queer cinema, to undermine the credos of trans-exclusionary radical feminism.
May 29, 2018
In its gleeful distaste for conformity, it's a paragon of modern punk-rock moviemaking.
May 23, 2018
Rest assured, LaBruce has thought all this through and has answers that do more than provoke.
May 25, 2018
The Misandrists presents an unusual atmosphere, one mainstream cinema can not even conceive of, let alone get on a screen.
May 22, 2018
A diverting bad-taste frolic for the sufficiently jaded.
May 23, 2018
The result feels haphazard, rendering the 85-minute running time a slog, and is stuffed with bad-on-purpose lines like, "Wake up and smell the estrogen."
June 08, 2018
If John Waters and Karl Marx co-directed a remake of The Beguiled, the resulting feature would be very much like Bruce LaBruce's The Misandrists.
May 25, 2018
An invigorating alternative not just to the unending cascade of banal queer-themed fare--if nothing else, LaBruce's outlandish scenarios activate thought experiments for those pondering a corrective to our present gynophobic kakistocracy.
June 21, 2018
Clever, yes. But its slow execution and cardboard acting doesn't play nice.
June 01, 2018
"The Misandrists" is a lesbian hand grenade. It's a raucous clenched fist of queer feminist outrage thrown in the face of anyone who dares to give the patriarchy even the smallest bit of wiggle room.

