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The Monster
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The Monster

Description
The film follows a divorced mother (Zoe Kazan) and her daughter have a terrible nightmare when they make an emergency at night road trip because of the girl's father. Suddenly, their car is dead on deserted country roads and they uncover they are not alone. A heartless evil is waiting for them.
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The Monster
CRITICS OF "The Monster"
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KPBS.org
Resource

February 15, 2017

A creature feature is only as good as its monster and Bertino's film delivers on that.
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HollywoodInToto.com
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February 04, 2017

Strong acting, ambitious themes and a limp final act make for one frustrating horror film experience.
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RogerEbert.com
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November 11, 2016

A film like Bryan Bertino's The Monster, featuring a fantastic and fearless performance from Zoe Kazan, feels oddly timely.
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Madison Movie
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December 12, 2016

We're coming up to the end of a year full of great horror movies. "The Monster" may have more modest goals than some of the others, but it deserves a place on that list.
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New York Times
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November 10, 2016

Mr. Bertino, who also wrote the undercooked script, sets the scene effectively, using his leads to give the story a sense of normalcy that he dismantles trick by genre trick.
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Hollywood Reporter
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November 12, 2016

A fully realized depiction of elemental fear and desperation, The Monster's modest scale should attract discerning genre fans while establishing a firm basis for potential cult status.
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NPR
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November 10, 2016

The Monster offers solid performances and a real-world subtext. But those virtues aren't enough to keep the movie from getting stalled in some big bad woods, miles short of profundity.
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Variety
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November 11, 2016

An admirably lean-and-mean execution of an elemental horror story.
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Aisle Seat
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February 08, 2017

An exceptional lead performance from Zoe Kazan makes the film stand out from the crowd.
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Paste Magazine
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November 30, 2016

The Monster feels like a film reaching desperately for profundity and missing by a country mile. The Witch this is not. It's just another arthouse horror film broken down on the side of the road.
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L.A. Weekly
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November 12, 2016

The faint mist, the eerie silence, the saturated blacks - so much of this film is reminiscent of the classic monster movies of the '30s and '40s.
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Film School Rejects
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December 13, 2016

It fails to generate anything resembling scares or suspense here, and the fault rests almost entirely with the script.
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