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Voyeur
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Voyeur

Description
Journalism icon Gay Talese reports on Gerald Foos, the Colorado motel who allegedly secretly watched his guests with the aid of specially designed ceiling vents, peering down from an 'observation platform' he built in the motel's attic.
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DIRECTORS OF "Voyeur"
Voyeur
CRITICS OF "Voyeur"
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Film Journal International
Resource

November 30, 2017

Enthralling look at literary lion Gay Talese.
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East Bay Express
Resource

November 29, 2017

Voyeur is not a gratifying documentary, the kind that makes us feel happy the truth came out.
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Chicago Sun-Times
Resource

November 30, 2017

Uneven but often strangely compelling.
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Slant Magazine
Resource

November 26, 2017

It's hard to come away from the film feeling anything but disdain and a twinge of embarrassment toward Gay Talese.
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indieWire
Resource

November 30, 2017

Ostensibly a portrait of looking, the movie only sees its own reflection.
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Los Angeles Times
Resource

November 30, 2017

In that discomfortingly close range between the unlikeliest of friends, and between rapture and repulsion, the film finds its compelling edge.
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New York Times
Resource

November 30, 2017

It's an entertainingly desperate joust, playing out beneath defiantly unattractive lighting.
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New York Magazine/Vulture
Resource

November 30, 2017

The question of what exactly to do with all this material escapes the filmmakers, just as it did Talese.
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NOW Toronto
Resource

November 29, 2017

The thematic strings don't quite come together in the end, but it's fascinating watching them unravel.
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The Playlist
Resource

October 06, 2017

The filmmakers would rather have their aged subjects talk about motivation and morality, which is ultimately far more interesting than any purportedly mind-blowing dip into the life of a man who wanted only to watch people.
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RogerEbert.com
Resource

December 01, 2017

The documentary is fascinating in an admittedly prurient way for the first half or so, then shifts and becomes compelling in an even larger, more relevant context.
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Guardian
Resource

November 27, 2017

Everyone's at cross purposes, the subjects' words as loaded with unspoken intent as the directors' damning comparative edits.
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