Wrong
One day, Dolph Springer wakes up and realizes he has lost his beloved dog, Paul. He becomes crazy to find and changes the life of many people who he encounter on his journey. He do no that he is losing the vital thing - his mind.
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19 May 1965, Honolulu, Hawaii, USA
8 July 1984, New York City, New York, USA
24 November 1967, Park Ridge, New Jersey, USA
27 November 1956, Mitchell Field Air Force Base, East Meadow, Long Island, New York, USA
4 August 1977, Arlington, Virginia, USA
25 July 1969, Paris, France
14 June 1968, Ft. Benning, Georgia, USA
August 13, 2013
The whole film feels a bit like a dream after a late-night burrito, leaving you wondering if moments in the film actually happened, particularly when mulling over it the next day.
June 14, 2013
Wrong wears out its welcome even at 94 minutes.
March 29, 2013
Dupieux has to be applauded for creating a unique universe, but sometimes he seems stuck in it - to the point where we feel we're not always in on the joke.
April 26, 2013
Quentin Dupieux's brand of absurdism lands somewhere between the plays of Eugène Ionesco, the looniest sketches of Monty Python, and the most adventurous efforts of the Adult Swim brigade.
March 29, 2013
Dupieux doesn't make films for everyone, but he does craft creative and abstract trips that are more than worth going on, even if they're fantastically difficult to explain to anyone who has yet to join the club.
April 18, 2013
Dupieux makes the viewer work for it with Wrong. And it's not always worth the effort ...
March 28, 2013
Dupieux's absurdism is simply muddled, masking the fact he doesn't really have much to say.
March 29, 2013
In Wrong, reality and the world of the film will regularly upend themselves; it's never quite reliably clear, though, that these inexplicable events are happening for a purpose.
July 11, 2013
Apart from arousing fitful curiosity, this stretch of surrealism yawns into an arid expanse of flat quirkiness. Meanders between torquing noir clichés and drifting through a funhouse-mirror-maze of SoCal conventions. Little strange poetry emerges.
April 05, 2013
This isn't a long film, but it lacks propulsion at times. Luckily, it maintains its wry outlook and never quite erases the good will that its best moments inspire.
April 19, 2013
There's a winning confidence to the filmmaking, which is deceptively stylish - Dupieux favours nervy close-ups and blurred foregrounds - and some real soul in Plotnick's performance.
April 26, 2013
A work of much playfulness and imagination, Wrong hints at a broader promise of budding, starburst auteurism upon which the film as a whole -- a nice, silly riff that could work better in truncated form -- doesn't fully deliver.
