X-Men: Apocalypse
A new world order surface following the emergence of an immortal apocalypse and the alliance with a disheartened Magneto and other mutant army. Xavier must do something while it is still possible.
18 December 1970, Montreal, Quebec, Canada
20 January 1987, St. Louis, Missouri, USA
3 July 1980, Oklahoma City, Oklahoma, USA
6 July 1964, San Diego, California, USA
21 February 1996, Northampton, Northamptonshire, England, UK
1979, Bristol, England, UK
January 03, 2017
If this sixth instalment is not the apocalypse to the X-Men universe, then maybe it should be.
December 30, 2016
Days of Future Past was a doozy. Apocalypse... not so much.
May 27, 2016
Without a compelling villain, it's hard to resist feeling like it's just more of the (mutated) same.
December 26, 2016
Bryan Singer has managed to pump out what is probably the best X-Men film after First Class. He really does demonstrate what a difference a director can make to a mega-film such as this.
May 27, 2016
There's no spark, and everyone lumbers through the motions. The apocalypse, it turns out, is deadly dull.
May 27, 2016
Some of the franchise stalwarts, such as Jennifer Lawrence's Mystique, are given too little to do. Most are given too much.
May 27, 2016
Enough already. Singer throws so much mutant at us that nothing sticks. I was almost rooting for Trump to impose a quota.
May 27, 2016
Comic fans will be mystified. Movie fans will be confused. Everyone will leave disappointed.
December 31, 2016
The big, silly stuff that gets played out with absolute commitment to the X-Men world makes for pretty delightful moments.
December 19, 2016
Even the publicity geeks can't convincingly milk as exhausted a teat as X-Men.
May 29, 2016
It's basically a closing chapter to a feeble trilogy that started out pretty well and then ran out of gas, and now must serve as a prequel to shadowy X-related endeavors yet to come.
December 27, 2016
The set-up is sometimes quite intriguing. Especially when it features Michael Fassbender as Magneto (massively magnetic).
