EPISODE
SCHEDULE
The Last Tycoon - Season 1
The series centers on Stahr, Hollywood’s first wunderkind studio executive in the 1930s as he climbs to the height of power pitting him against his mentor and current head of the studio Pat Brady.
28 December 1973, Los Angeles, California, USA
18 April 1958, Chicago, Illinois, USA
12 October 1950, Brooklyn, New York City, New York, USA
7 May 1984, St. John's, Newfoundland, Canada
27 August 1966, Spokane, Washington, USA
26 March 1981, Toronto, Ontario, Canada
29 June 1961, Charlotte, North Carolina, USA
July 27, 2017
Melodrama has its pleasures, and some viewers will doubtless happily be caught in the stories' myriad threads. And some performances win out over the material.
July 27, 2017
Tycoon manages to capture the wistful tone Fitzgerald so often employed, while also being a breezy binge-watch.
July 27, 2017
Quirks aside, The Last Tycoon brings out the best in Fitzgerald's work. The inner turmoil of Fitzgerald's genius mixed with Hollywood glamor and intrigue make for a feast for the eyes and the mind.
July 27, 2017
The consistently ineffective mix of real and fictional characters highlights how poorly the series captures such a fascinating world.
July 26, 2017
The show looks beautiful enough and has been so well-cast that those qualities can sometimes be enough when you're looking for a streaming option on a hot summer weekend.
July 26, 2017
Lights. Cameras. Cue the cliches.
July 27, 2017
The new series has smartly reimagined Fitzgerald's story without ridding it of the author's hand.
July 27, 2017
Admirable care went into the costumes and settings; the script, not so much. There is quite a bit of awkward, didactic dialogue here. Nuance, apparently, had not yet been invented in the 1930s.
July 27, 2017
The Last Tycoon is so sumptuous that it's easy to overlook how pedestrian the story often is. That's not immediately apparent because what's onscreen is stunning.
July 27, 2017
While most of the time, it seems to be aiming for semi-historically accurate realism, it's also steeped in enough fantasy to make it hard to know how to engage with it, or even whether to trust it.
