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EPISODE
SEASON
SCHEDULE
How to Get Away With Murder - Season 2 Episode 03: It's Called the Octopus
Annalise and her trusted associate Frank Delfino, creating an entirely new murder and undoubtedly, a new web of lies and suspects. Even as the super-sexy professor of law takes our breath in teaching her students.
15 October 1946, Davenport, Iowa, USA
16 March 1989, West Chester, Pennsylvania, USA
18 April 1995, Sacramento, California, USA
October 13, 2015
The courtroom scenes do deserve the eye rolls they got from me, but they don't detract from the overall story "It's Called The Octopus"... [the episode] remains sharp and intelligent, and the silliness of a few isolated moments doesn't erase that.
October 13, 2015
Along the way, Asher tries to walk away from his role as mole for Annalise's arch nemesis, Michaela admits to never having achieved orgasm and oh man, there's really enough plot in "It's Called the Octopus" to fill three or four recaps.
October 13, 2015
All I know is I'm sad that Bonnie and Asher are done for the moment. The only silver lining: Bonnie and Laurel go out and bond. Laurel admits her feelings for Frank. Yay!
October 13, 2015
People are starting to discover that Annalise is both self-centered and selfish. She does have feelings, but she is certainly not empathetic. And, oftentimes, she only looks out for herself, making her the perfect anti-hero of this show.
October 13, 2015
All together a much stronger episode than last's week double-trial hour.
October 13, 2015
How to Get Away with Murder continues to engage with the increasing depth and complications of its characters, for better or worse. "It's Called the Octopus" will surely not the last time the series will intertwine sex and violence so directly.
October 13, 2015
In addition to a sex soaked case of the week, How to Get Away with Murder Season 2 Episode 3 blessed us with an abundance of new information relevant to the big cases of the season.
October 13, 2015
Season two is already better than the first and I can't wait to see what leads to the pivotal moment we see in the flash forwards.

